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I'm building my first fursuit, and I thought ynz guys might like to see how it's done, for reference or whatever. I'm by no means a professional, yet. So here's the photos I took along the way building Littlerock, the archaeopteryx. They're not yet finished, but I intend to update the thread with continuation posts as I keep building. This post will focus on the head; a semi-toony balaclava-base with green foam and elastic build. It features a moving jaw and follow-me toony eyes. First off, it's very important to have a rough idea of what you're going to build. Draw it, detail it with how you're going to build it. This will give you a reference to look back on and double check each step in the building process to make sure you haven't forgotten any important details, but you may find yourself deviating somewhat from your plans while you learn. That's okay! Do what you gotta do to make it good. Suffice to say I did not follow my own blueprints entirely, for a variety of reasons. Live and learn. Next, gather your materials. In this case, I need three colors of fleece, some type of sculpting material, green high-density foam, plastic sheet canvas, three colors of faux fur, buckram, a balaclava, nylon leggings, a zipper, stiffened felt, some 1" wide woven elastic, sewing and hot glue supplies, sheet foamie, acrylic paint, buckram, a mannequin head, toothbrushes, and a slicker brush. Supplies I gathered and never needed include; a clear plastic Christmas ornament, heavy plastic and spring for the jaw mech, and a pivot mech for the eyebrow. All told this cost somewhere around $200, but many of the supplies are sufficient for the rest of the costume, and the tools are reusable. The entire partial will likely cost me around $230, however it's not a padding-heavy design, and it's being built for a surprisingly small person. Me. I'm tiny af. Starting This is the initial foam work, the very basis, and most basic point. Nothing fancy, nothing set in stone. The elastic is measured as a loop that goes around the wearer's chin, and around the back of the head. Another piece attaches to this, going over the top of the head from cheek to cheek. This is both the movement mechanism for the jaw, and the tension that keeps the head largely in place on the wearer. This elastic is sewn to the balaclava, while on a mannequin head. Make sure your mannequin is the same dimensions as your own head! They can be altered by shaving down and building up with foam. Measure your own head before beginning. Now start adding foam! Green foam can be cut with boxcutters, scissors, and those weird motorized turkey carvers. Attach it to things, including more foam, with hot glue, or other approved adhesives. I'd used a high-temp glue gun for this project. Initial foamwork will look rough, blocky, and generally ugly as all sin. That's okay! It's supposed to. You're only laying down the basics here. Essentially, I just kept adding foam in thin sheets and small chunks and nibbling away at it with scissors until I liked where it was going. Keep checking for symmetry, and remember, if you mess something up, it's ALWAYS BEST to remove the issue, and fix it. That's just part of the process, accidents happen. Keep going, but make sure you take frequent breaks, get up and move around. If you've been at it for hours, get sleep. A refreshed brain builds better, and makes more sensible decisions about how to approach a project, and it's great for your body and mind to pause the project for a moment, clean up whatever mess you've made, and move about for a bit. Try the head on, check it in the mirror, make sure everything's seated correctly, moving appropriately, and comfortable. This is essential to being happy with your project. After you have the face roughed out, try making mock-up eyes. These will help you to decide a number of things, including what size and shape they need to be, if you need to adjust the eyesockets (I clearly needed to, lmao), and what angle you need to place them in to insure a not-derp look. Bear in mind that you need to be able to see out of these, and if you need room for glasses, adjust accordingly. If you're making a more realistic suit, with resin eyes instead of toony ones, the vision ports will NOT be the eye itself, as you cannot see through resin eyes. Most builds including resin eyes have tear-duct vision ports. Build accordingly! So at this point, I jumped ahead and made good eyes, which eventually get re-painted and re-positioned several times. I used the cardboard template and made the same, in duplicate, out of sheet foamie. I also cut out the iris and pupil area, painted and glued in buckram irises. I see through these. The eyesockets in the photo here still needed adjusting, which i do get to later. From here, I began the mouth. It is lined with pink fleece, painted with acrylic paints, applied with brushes and dried slowly with toothbrushes. The teeth are Crayola Model magic, which, in hindsight, was a mistake. It's rather fragile, and takes on particles pretty easy, but it fit the bill of being easy to shape, cheap, and very lightweight. Each was painted and sealed with a clear topcoat. The tongue is carved from more green foam, and covered with more pink fleece and paint. So far, nothing here is sewn, everything is glued in place with hot glue. At some point, I added a temporary vision port between the eyes. I left it in the final for ventilation, but it doesn't provide much. The nostrils are liked with more fleece, since they're actual holes. I intended on installing an altered bird call into the roof of the mouth, but I never did. I cut the fleece inside the mouth ENTIRELY too close, and ended up working around it in later steps with another layer. Living and learning continues. Fleece is also glued around the eyes, to hide the green foam in the eye sockets, as well as glue holding the eyes in. Next, the roof of the mouth was made and installed. It is a traced-to-fit piece of plastic canvas mesh, glued in place, and covered with more pink fleece, which was then painted. The empty can of soda is there to keep the mouth open, and paint off of the lower teeth. Added top teeth and painted them after the paint dried on the roof of the mouth. More fleece is added in the back of the mouth to cover green foam and keep the illusion going. More paint is applied accordingly. The inner cheek muscle here was a challenge. It is vital for anatomical reasons, and it also hides the wearer's face. Initially, I used a bit of fleece, but it proved to be entirely too bulky, and impaired the jaw from closing properly. Instead, I painted a gray pair of nylon leggings, cut to shape, and glued in place. The nylons prove stretchy enough to hold their shape without being wrinkly or bulky. More foam work occurred around the wearer's ears here. I wanted to have excellent hearing while in suit, so rather than foam over the ears, I instead foamed carefully around them, and glued in a bridge of buckram over the gap. It is strong enough to hold the faux fur in it's proper shape, and breezy enough to hear through, as well as help with ventilation. Somewhere around here, I also adjusted the eyesockets' foam work as well, snipping out a small piece to pull the eyes closer together, and shaped more above the eyes. Time for a huge mistake! The entire face of this head is fleece, which is notorious for showing seams, so I did my damndest to make it of the fewest number of pieces. The bottom jaw I attempted to make of two pieces, which ended up looking hillariously bulky and generally stupid. I ripped it off shorty after taking these photos and replaced it with two differently cut pieces, pulled and glued very tightly. Now that a better job is on the bottom jaw, it's time for the pattern. Brown packing tape, and plastic wrap. Packing tape won't stick terribly to bare foam, so it doesn't need to be lined there, but the rest of the head needs plastic wrap liner. This tape is then carefully marked for sewing seams, and is cut off. Note that the mouth is open for this, to make sure there will be plenty of material around the cheeks, as to not restrict movement. You can also see that the face is all one piece. I did end up making seams around the nostrils, but they're well hidden by the overall shape of the foam, and generous paint. Here we have the new lower-jaw cover, as well as the face all attached. The eyes glued down shut looks like absolute nightmare fuel, yes. Opened them up vary carefully with snips, glued the lids into place, and continued. I ended up adding two strips of fleece beneath the eyelids for more character. No sewing yet, this is all glue work. Paaaainting, begin! Drybrushing, (aka paint on a brush, rather than airbrushing,) on fleece takes a bit of practice, so if you're gonna go there, practice on something else first. Brush it into the fibers with stiff bristles, like toothbrushes, and don't let it dry in chunks. Overly-thinned paint will bleed through the cloth and stain the material beneath the fleece's nap. Be careful! Now for the rest of the pattern. I know it's tempting, but do. NOT. use cheap faux fur. Acceptable fur usually runs $20/y and higher, cheaper fur looks, feels, and wears terribly. Cheap fur cannot be trimmed and shaved down like good fur, and it tends to fall apart much easier, as well as failing to accept paint like good fur. It's worth the extra money. The fur I'm using here is from Distinctive fabrics, ivory, black, and camel 2" shag. I'm pretty sure the ivory is discontinued now. I bought it ages ago. Leave a good quarter inch seam allowance on the edge of each piece, and 'mile markers', those dashes that cross over seam lines on each seam help to align each piece while sewing, so that curves are made, and edges line up properly. They should be marked on the cloth itself as well! Make sure the nap direction of the fur is going in the correct direction for each piece by drawing an arrow showing such on each pattern piece before removing. The hood, the part which covers the head, and the cape, the part which covers the neck and collarbone, are sewn with upholstery thread, using the best stitch ever; the blanket stitch. Heck yes. "Raw edges" of fur, where the backing is visible at the very edge of a cut piece, need to be hidden before attaching the hood and cape. I do this by hot gluing them down to the backing of the fur, very carefully, utilizing the quarter-inch to half-inch seam allowance left over during pattern cutting. Glue the hood and cape down fittingly after this part, sew it onto the balaclava where areas may take extra stress. Shaving and painting. Shaving is done with pet-fur clippers, and scissors. It's scary, but it's absolutely necessary to shaping the face and showing off the detail in your foamwork! Never clipper the fur down to the backing. Leave at least a quarter inch of fuzz. I'm also texturing the fur to resemble feathers, using scissors. Bear in mind that cutting any amount of fur is going to make a massive mess. Don't breathe it in. Painting faux fur is much easier than it seems like it would be. Acrylic paints, lightly thinned with water, are applied as necessary, and gently brushed through the fur with a slicker brush. Make sure to brush the fur occasionally while it dries to keep it from clumping. NEVER USE A HOT HAIR DRYER ON FAUX FUR. Heat ruins faux fur! You can use a fan, or a dryer on COLD, but never on HOT. The fur in these photos is still wet, and will go back to being fluffy when properly dry! At some point, I also made a pair of ears out of fleece and attached them to the head. No biggie. Feathers here were made of fleece, sewn like a sock, fitted over a piece of stiffened felt. I ended up making these much smaller than I initially planned, because it became difficult to control them past a certain size without wiring or hard plastic, and I wasn't ready to go there. More detail painting on and around these, and attachment of feathers. Some time later, I had a friend help me measure the cape, and I sewed and attached it along with a zipper, which runs from the nape of the neck down the cape. The zipper keeps the shape of the neck thin, while making the head easy enough to put on. It's black, hidden in black fur. That's about it, really. FIRST FURSUIT HEAD, COMPLETE!! Feel free to ask questions, post criticism, lollygag and whatnot! I'll be posting in this thread as I complete other body parts. The final piece will only ever be a partial, so on the to-do list are wings, and a tail. The feet are already done, but I'm unhappy with them and intend to re-do them entirely. Hope this is educational, if not entertaining.
Figure I'll spread the good word on Andrew Loomis' old and excellent books. Some generous soul put them up for free here: http://www.alexhays.com/loomis/ "Fun with a Pencil" is the one you want to start with if you're a beginner and what I'm just finishing. He makes everything very accessible and there are lots of exercises to help you improve your work.
Just finished this guy up. I've nicknamed him Jet Jay because of his coloration (the blue and white on the back of the head are different colors than the face but it isn't too different). I've been working on and off on him since January 2013 (pretty much put him aside whenever anything else popped up). He is an older suit of mine but I hav e replaced a few outdated things (eyes mainly). Features: -23 inch head -Static eyes and mouth -Plastic eyes with hand-painted buckram eyes (sealed with acrylic spray) -Felt teeth -Fleece tongue and mouth -Clay nose, painted with acrylic, and sealed with acrylic spray -Nice ventilation and comfortable to wear -Visibility is limited directly ahead but vision otherwise is really nice (through pupil and iris, kinda through mouth but barely) The head is not lined so you are going to want to wear balaclava beneath to prevent sweat damage to the foam. The neck hood is also not the greatest (like I said, it was an earlier head) but works. Head only worn for testing and photographs. Comes from smoke-free but petfriendly home. 100% handsewn. Seeking to sell for $250 usd +shipping. Shipping is about $10 in the lower 48 states. Willing to ship elsewhere but be prepared for a jump in shipping prices. Pm or post here if you have any questions. You can also email me at firstname.lastname@example.org but I don't check it as often as here.